O house of Admetus, in whom (although I was a god) I have endured
so many things. Now, house, I am not afraid. No ghost need fear
come by me. If there’s a door in silence, let it open. My silence
can be greater than your own. And you who are in me, and who I am,
can be greater than your own. And you who are in me, and who I am,
come forth beyond this quiet shell of flesh that makes no posture
to deny you. There is none to look at us: O come, my brother and
my lord, with unbent face. If I had 40,000 years, I should give
all but the ninety last to silence. I should grow to the earth
like a hill or a rock. Unweave the fabric of nights and days;
unwind my life back to my birth; subtract me into nakedness again,
and build me back with all the sums I have not counted. Or let me
look upon the living face of darkness; let me hear the terrible
sentence of your voice.
There was nothing but the living silence of the house: no doors
were opened.
Thomas Wolfe, from ‘Look Homeward, Angel’

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Anathema ”Electricity” [Album ”A Natural Disaster”].

What can I add to that, really?

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Because the novelist is a person who does not belong to a community, who does not share the basic instincts of community, and who is thinking and judging with a different culture than the one he is experiencing. Once his consciousness is different from that of the community he belongs to, he is an outsider, a loner. And the richness of his text comes from that outsider’s voyeuristic vision.
Orhan Pamuk, in ‘The Paris Review Interviews’ vol.4